Luis Buñuel's 1962 film "The Exterminating Angel," recently adapted into an opera by composer Thomas Adès, explores a group of aristocratic guests trapped in a Mexican mansion where they descend into madness and violence, reflecting themes of divine vengeance and cultural stagnation in Spain.

El artículo discute la obra cinematográfica "El Ángel Exterminador" de Luis Buñuel, que se caracteriza por su enfoque surrealista y nihilista.