In Aaron Sorkin's revival of the musical "Camelot," the idyllic details of King Arthur's utopian realm are questioned and deconstructed.

The New York City Opera's season premiere of Puccini's "La Fanciulla del West" at Lincoln Center's Rose Theater showcased a return to form for the company under new leadership, emphasizing intimate, top-quality performances in a setting more akin to the composer's intentions.

"Oslo" is a Broadway play by J.T. Rogers that delves into the behind-the-scenes negotiations leading to the Oslo Accords.