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A glimpse of the Jewish left in 1920s Palestine

JL;DR SUMMARY "Boom and Chains," a novel by Hanan Ayalti, highlights the complexities of Mandate-era Palestine through the lens of Jewish, Arab, and socialist interactions. A way out west there was a fella, fella I want to tell you about, fella by the name of Jeff Lebowski. At least, that was the handle his lovin' parents gave him, but he never had much use for it himself. This Lebowski, he called himself the Dude. Now, Dude, that's a name no one would self-apply where I come from. But then, there was a lot about the Dude that didn't make a whole lot of sense to me. And a lot about where he lived, likewise. But then again, maybe that's why I found the place s'durned innarestin'.

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Tags

Yiddish LiteratureJewish HistoryZionismTranslationArab Jewish RelationsSocialismYiddish ModernismHanan AyaltiMandate Era PalestineIdeological Conflicts

Places mentioned

Kiryat Anavim, Jerusalem, Israel
"A settler plowing the land of Kibbutz Kiryat Anavim, in the Judean Hills, Nov. 30, 1920 Photo by Wikimedia Israel"
Warsaw, Mazovia, Poland
"First serialized in Warsaw in 1940 and now translated into English by Adi Mahalel, the book reads less like a period curiosity than a dispatch from the very core of 20th-century Jewish history."
Spain
"from the kibbutz to antifascist Spain and then to Montevideo and New York marks a restless search for integrity within shattered utopias."
Montevideo, Uruguay
"from the kibbutz to antifascist Spain and then to Montevideo and New York marks a restless search for integrity within shattered utopias."
New York, United States
"from the kibbutz to antifascist Spain and then to Montevideo and New York marks a restless search for integrity within shattered utopias."
Jaffa, Tel Aviv District, Israel
"When Zalmen, the central figure, lands in Jaffa, the novel enacts collision immediately Arab boatmen unloading cargo, British officials announcing strikes, Jewish pioneers hammering tents into soggy terrain."
Poland
"In moments like this, Ayalti insists that the reader confront the impossibility of innocence. Part III takes the novel toward collapse."

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