The lack of ritual and liturgy in mainstream Judaism for experiences specific to women, such as menstruation, miscarriage, and mammograms, is a frustration for the author.

The author discusses the idea of streamlining High Holidays services in American Modern Orthodox congregations.

The article discusses the TV series "I May Destroy You" and its relevance to the Jewish High Holidays.

Yehudah Ha-Levi's liturgical poem "Yashen, Al Teradam" serves as a powerful call to action for Jews during the High Holiday season, urging them to wake up, repent, and align themselves with God.

The text discusses the author's experiences at an Orthodox Jewish summer camp where she learned about concepts like kol isha and shomer negiah, which restrict men from listening to women singing and touching members of the opposite sex.

The essay explores the ambiguity and complexities found in Yehudah Halevi's popular poem Yom Shabbaton, focusing on the debate around different versions of the middle stanzas found in prayer books.

The article discusses the ongoing debate surrounding Rabbi Shlomo Carlebach's music and legacy in the Jewish community despite allegations of sexual impropriety.

In Rabbi Elchanan Adler's book "Yerach Tov: Birkat HaChodesh in Jewish Law and Liturgy," he delves into the intricate details of the prayer for the new month, Birkat Hachodesh, recited on the Shabbat before Rosh Chodesh.

The New American Haggadah, edited by Jonathan Safran Foer and translated by Nathan Englander, presents a discussion on the complexities of translating Jewish texts, particularly the Haggadah used during Passover.